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These Women

by Morrigan & Wilding

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1.
Only I Know 04:05
Only I Know Only I know why You take three sugars in your tea And only I know That you lost a baby Only I know why You tried to lose yourself at sea And only I know That you really loved me Well, I’ve been dreaming fondly of Your raw hide and secret soul The little parts That I hold That I know -oh oh oh Like broken shards of pottery Particles of your treasury I’ll never lose Never let Never tell Never say so Never say so ‘Cause only I know You like the smell of burnt out matches For the little glimpse it catches Of feeling like you’re free to burn And smoulder into dust A runaway in foreign lands You forage treasures if you can When you lay low But there’s places you would rather be Like June in 1853 Without your phone Or news reports Or your thoughts Darlin’ I know Only I know Well, I’ve been dreaming, latching on To your raw hide and secret soul The little parts That I hold That I know Like broken shards of pottery Particles of your treasury I’ll never lose Never let Never tell Never say so Never say so ‘Cause only I know Only I know Only I know why You’re lost but unafraid Only I know What keeps you here today Only I see The things you’ve locked away But it’s not only me Who loves you this way
2.
These Women 04:34
These women, these women, these... Oh the pain carried by these women My heart swells with pride At their bravery and courage Battered and broken and.. And then some And yet, they go on and on and on... And even find beauty Weave and stitch and sculpt their secret joys They say, “The gift is to help others heal” They say, “The wound is what lets in the light” They say, “The choice is to choose to go on and on and on and on and on...” These women, these women, these... Oh the pain carried by these women My heart swells with pride At their bravery and courage Battered and broken and... And then some And still, they go on and on and on... These women Oh, these women
3.
Cana Cludhmor’s had enough Of her dearly beloved So she retreats to the sea To scream for peace The ocean laps But listens Sprays salt spittle A mirror for her anger. Now she, a sandy effigy, Stands demandingly Begging the great Goddess For the sound of softness - A lullaby for all of her grief Cana Cludhmor’s exhausted her lungs Breathed her rage out in tired cries She’s unfurling And so she lies In a place upon the shore In the rib cage Of mother nature’s finest beast Cana Cludhmor sleeps And in her dreams The sinews blew A healing melody From an instrument stringed Strung as it sung. Never before heard Never since forgotten Cana Cludhmor wakes With a new fire Of nature’s inspiration A gift of creation Burning to heal her heartstrings With an ethereal ring Somehow capturing The voices of every woman That ever was in Ireland Cana Cludhmor’s had enough Of being underestimated But just you wait She’ll be a Goddess one day
4.
Lachrymose 03:31
Don't fall off Don't fall in Don't fall off Don't fall in Look down deep, way below The swirl and shift, the ebb and flow Don't fall off Don't fall in Eyes ahead Sink or swim Psychadelic patterns weave the light As solid as air, as liquid as night Don't fall off Don't fall in Eyes ahead Sink or swim Drowning, gasping, shadows biting toes Stolen heartbeats. Lachrymose... Don't fall off Don't fall in Eyes ahead Sink or swim
5.
Legend 04:29
As I walked by myself and talked to myself Myself said unto me Look to thyself, take care of thyself For nobody cares for thee I answered myself and said to myself In the self-same repartee Look to thyself or not to thyself The self-same thing will be As I walked by myself, another same self Did join and say to me Look to thyself and trust in thyself And see that me becomes we Thou art humble of eye with wild dreams to fly There is no waiting trap Th'art apple for pie, th'art answer for why The legend of the map To walk with oneself, and talk with oneself Can find what time has lost Be with thyself and trust in thyself Hold true and do as thou dost Thou art humble of eye with wild dreams to fly There is no waiting trap Th'art apple for pie, th'art answer for why The legend of the map
6.
Picnic Rug 04:31
If I could give you the world I would I’d handpick the stars if I could But all I have is the sun in my chest And my little plaid picnic rug on the sand for you to rest Couldn’t carry your grief, but I’d try I’d even let you see me cry When all my tears hardened into glassy stones You’d collect my fallen marbles, trust them as your own I don’t have much to give Or maybe that’s just what I’m used to saying But what I have I’ll give to you And maybe one day soon I’ll love myself too Don’t break the lock - I’ll give you a key Come sit at my table with me I’m not accustomed to kindness in company So please, tell me the ingredients in your favourite tea I don’t have much to give Or maybe that’s just what I’m used to saying But what I have I’ll give to you And maybe one day soon I’ll love myself I’ll wear safety goggles ’Til all your walls come down And when the dust dissipates I’ll buy us each a ball gown To parade down the esplanade Of the toxic “way back when’s” Cheers to finding out What it is to let someone in again If I could give you the world I would I’d handpick the stars if I could But all I have is the sun in my chest And my little plaid picnic rug on the sand for you to rest
7.
Yield 04:56
She strolled the winding foreshore Like an evasive evening God All the decay of yesterday in the imprints where she trod Her limply swinging pickaxe Defracted and dismissed She was disinclined to dignify The thatch so faintly kissed “I SHALL NOT YEILD” She cried to the sea and the rock Their mortal lament wails Its weary poppycock To invoke the eldritch hellfire That rends and tries Long winded static Casts its dirk and flies She strolled the winding foreshore All the decay of yesterday in the imprints where she trod
8.
Something died today In this house. The wallpaper bleeds out She pasted on an insidious green But the arsenic killed her vanity. All the pretty ladies Dressed in a brand new tone Twirl round like spinning tops At Her Majesty’s ball Breathing in the particles From silks and sateens Even Vicky from the Buck’ Wears a glamorous green E stavano ballando E ballando! (And they danced And danced!) All the dignitaries With nefarious moves Sulk in verdant smoke On the edge of the room There’s a lack of ventilation But the mood is sublime Scheele’s killing Sheila’s One waltz at a time. (Gasp!) Something died today In this house. Aaaahhh! The wallpaper bleeds out She pasted on an insidious green But the arsenic killed her vanity. Well, a little later on Someone special came to stay In a room child-labour-papered In Queenie’s humble chalet He came downstairs for breakfast Looking mighty eau de Nil, Green-faced laced with ‘nic Walls licensed to kill She tears down The paper with her rage Forever destroying The toxic, poisonous cage She’d locked her self in With an invisible killer Trendsetter, she, But now the damage lives in her skin It’s breathing, breeding, breathing… Questa parte della canzone è in italiano. Oh! “Victoria” ora diventa “Vittoria!” Ora siamo alla parte molto drammatica. Sous le dôme épais Quello era il duetto floreale da “Lakme” (This part is in Italian “Victoria” becomes “Vittoria” This is the very dramatic part Under the dome (French) That was the flower duet from “Lakme”.) All the papers tried to warn them Of the poison that seeps From children’s toys and painted ploys For Victorian greed The doctors tried to offer Some sage advice But lesions were in season Laced-y lace was the spice! Instrumental Something died today In this house. FUUUUUUCK! The wallpaper bleeds out She pasted on an insidious green But the arsenic killed her vanity
9.
Three Steps 03:59
Used to think it would all make sense, one day... Stretch and strive and keep the drive, you say... Used to think growing up would be cool You'd get there one day, that's the rule But where is there? And what happens then? That day... Three steps forward and two steps back I've just got to try Three steps forward and two steps back Til the day that I die Now it seems like it never ends, go on... Lesson learned, then do it again, be strong... Now it seems that the more that I learn Another corner around every turn The path is the point and it's what you earn Lifelong... Three steps forward and two steps back I've just got to try Three steps forward and two steps back Til the day that I die And at the end of my time on earth Weighing and assessing my worth It'll all seem just a blink of the eye One long, sweet, melancholy good-bye Three steps forward and two steps back I've just got to try Three steps forward and two steps back Til the day that I die I'm takin' Three steps forward and two steps back I've just got to try Three steps forward and two steps back Til the day that I die
10.
Bloodlines 04:31
Little lonely girl With your rucksack and your torn map and your heartbeat and your light Little lonely woman With your handbag and your Kleenex and your mothers expectations of how you should raise your children The silent bloodlines Carry through the daughters Of the daughters of crooked hearts And they’re our mother’s mother’s mother’s mother’s mother’s… She’s got a body fit to carry And a heart that’s overflowing But she doesn’t care to hear again That her hips are made for holding a child She had two in the nest But they’ve flown now, and they’re hard to get a hold of and she feels as though she’s failed them somehow The silent bloodlines Carry through the daughters Of the daughters of crooked hearts And they’re our mother’s mother’s mother’s mother’s mother’s… She told me don’t get caught without a ring Don’t hide yourself away Be careful what you wear ‘Cause you know what men may say Don’t be precious Don’t be too kind Things aren’t what they seem Keep your children close to you Don’t end up like me The silent bloodlines Carry through the daughters Of the daughters of crooked hearts And they’re our mother’s mother’s mother’s mother’s mother’s… She kept all the pictures But gave frames to charity For some pretty young family To fill with someone living, mmmm She mended the map And found a cohesive diagram Of the complicated backroads To her own heart Her own heart Little lonely women With your backpack and your Kleenex and your heartbeat and your light Little lonely mother With the echo in your big house Tell yourself now: It’s your life
11.
I am older than I am I have walked so many lands Lifeline deeper on my hand I am older than I am I am wiser than I seem Though you catch me in a dream Oh I hold so many things I am wiser than I seem I’ve been here before Oh so many times Mother Nature knows me She calls me when she cries She wraps me up in wind And sails me down a stream And calls me to remember All the things that could have been I am older than the breeze I am older than the trees Sliced bread might only have A year or two on me I am older than the breeze I am older than the playground Where we learned to jump and run And I’ve had my share of conversations With the ageing sun She understands me better Than anyone I am older than the playground Where we learned to jump and run I’ve been here before Oh so many times Mother Nature knows me She calls me when she cries She wraps me up in wind And sails me down a stream And calls me to remember All the things I could have been I am older than I am I have held so many hands Don’t you try to understand I’m just older than I am
12.
Fine Line 03:20
It was never hers to carry But she hauled it all Across the seven seas And through the ridges of the desert Where she fell for an illusion Of the good times There, she dropped the baggage Of her maiden voyage From a broken heart to mending “Enough!” she cried “My feet tire of walking The fine line between Caring and sacrifice. I am mine. I am mine.” She turned on her heel And blazed a trail of fire Every petty thing he’d said about her body Burned behind her. With no fear of infraction, She shattered the ceiling Shaved half a head of hair Oh, what an almighty feeling “Enough!” she cried “My feet tire of walking The fine line between Caring and sacrifice. I am mine. I am mine.” Every gift is not a gift (It was never hers to carry) Oh a gift can be a curse (It was never hers to carry) So don’t wear the tattoo (It was never hers to carry) Of someone else’s burden Someone else’s words. “Enough!” she cried “My lungs tire from talking” “Enough!” she cried “My heart tires from aching” “Enough!” she cried “My feet tire from walking The fine line between Caring and sacrifice I am mine. I am mine.”
13.
Remember 05:32
For those who came before, remember For those who dared for more, remember Who shed their skins to never return, cuimhnigh (remember) Whose fate it was to float and burn, cuimhnigh (remember) Unlock the embodied memory, remember Silent potential treasury, remember Something of significance, cuimhnigh Unfolds into magnificance, cuimhnigh Our earthly sighs weave verdant delight, onórach (we honour you) The zephyr sounds its melichrous flight, onórach (we honour you) With flame and fervour stoke russet hearth, onórach (we honour you) Let briny truth discern the path, onórach Bandia ársa, glaoimid ort (Ancient Godesses, we call on you) Bandia ársa, glaoimid ort (Ancient Godesses, we call on you) Bandia ársa, glaoimid ort (Ancient Godesses, we call on you) Mná, mhothaígh do chumhacht (women, feel your power) Mná, tá a fhios agat do chumhacht (women, know your power) Mná, dul amach i ngrá, leighis, áthas agus cumhacht (women, go forth in love, healing, joy and power ) Déantar é (It is done) Déantar é (It is done) Déantar é (It is done)

credits

released January 27, 2024

Carly Wilding and Kylie Morrigan are a folk fusion duo based in bayside Naarm (Melbourne.)

Written by Carly Wilding
Only I Know, Cana Cludhmor, Picnic Rug, Scheele’s Green, Bloodlines, Older Than I Am, Fine Line

Written by Kylie Morrigan
These Women, Lachrymose, Legend, Yield, Three Steps, Remember

Carly Wilding- vocals, harp, guitar, recorders, tambourine, beat box, salt and shell shakers, bass drum

Kylie Morrigan- vocals, violin, guitar, shaker, tambourine, talking drum, suzuki andes

Bass - Mal Webb
Only I Know electric guitar - Will Hook

The Voices of Women:
Meredith Beardmore
Helen Begley
Maggie Elvin
Meghan Fiddler
Bree Horwood
Paula Huntly
Rhiannon Irving
Sandy Morrison
Penelope Swales
Susanne Wilson
Sarah Woods


Recorded & mixed by Mal Webb,
Kylie Morrigan & Carly Wilding
Mastered by John Gould
Pressed by Mad CDs
Artwork by Carly Wilding
Photography by Jak Scanlon

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Morrigan & Wilding Melbourne, Australia

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